The artists of that time used to meet in France in a
bar called temple de realism in the late 1840s. Realism emerged in hard times
and political difficulties. The painters of realism always wanted to achieve
what they saw, their observation. They used to go on the site to paint and they
used to use little zinc paint tubes which helped a lot to carry around, they
used to call it the portable studio because they used to go everywhere and
paint. They moved completely through the smooth style taken from neoclassicism
this prepared for the style impressionism. After the third revolution took
place and many people died on the streets and the artist used to show this in
realism to show the real life they had back then. In the mid nineteenth century
Courbet caused panic when he wanted to exhibit his work and they didn't let him
because it was showing reality too much and was different from the art they
seen before.
Jean-François
Millet the gleaners:
1857 oil on
canvas,83.5 x 111 cm
The painting was done in the evening because there is
the red evening glow. In this painting he is giving dignity to the women. Millet’s
style shows beauty and the real life even though when life isn't that good. .
Gustav
Courbet, The stone-breakers: 1851 oil on
canvas 159 x 259 cm (lost in war )
The painting was made in his home town in Ornan. In this
painting he is trying to the hard work of the people in the hot sun. Their
clothes show that they are working hard because of their clothes because they
are thorn and patched up clothes. The brush strokes on the painting seems to be
with the dust of the road, he re defined his role in society by showing everyday
life.
Bibliography: The Stone Breakers - Wikipedia, the free encyclopaedia. 2013. The Stone Breakers - Wikipedia, the free encyclopedia. [ONLINE] Available at:http://en.wikipedia.org/wiki/The_Stone_Breakers. [Accessed 03 March 2013]
The Gleaners - Wikipedia, the free encyclopedia. 2013. The Gleaners - Wikipedia, the free encyclopedia. [ONLINE] Available at:http://en.wikipedia.org/wiki/The_Gleaners. [Accessed 03 March 2013].
konemann (1955). the story of painting from the renaissance to the present . german: detlev schaper. 6-128.
No comments:
Post a Comment